Just as Inner City sang «Let me take you to a place I know you wanna go” in that mythical year of 1988, we will also try to be a beacon of the culture and lifestyle that gravitate around A CASA PORTUGUESA.
Without any regularity, but whenever we have something to share, here you will have fresh recommendations of those exciting things that make life good!
MORITZ FEED DOC 2026 - Barcelona International Fashion and Film Festival
18 to 22 March - Mooby Bosques Cinema and other venues, various times.
Next week comes Moritz Feed Doc, the festival that proves that fashion also has good stories to tell. Documentaries about designers, photographers and people who have made their mark on the industry - with names such as John Galliano, Vivienne Westwood and Thierry Mugler, among many others.
Fashion from the inside: his obsessions, his creative process and everything that happens beyond the catwalk.
If you are interested in fashion, cinema or simply discovering good stories, Feed Doc is a perfect excuse to approach this world from a different angle.
BAD GYAL - More Face Tour
20, 21 and 22 March - Palau Sant Jordi, 7 p.m.
Alba Farelo used to come to our Verdi shop with her father when she was a child. We are sure that our sweets have had something to do with her success.
His new album as Bad Gyal - Más Cara - brings together some of the biggest names in reggaeton and urban music. Artists such as Chencho Corleone, Ozuna and J Álvarez collaborate on the album, along with new voices from the Latin scene, with production from key figures such as Luny Tunes and Cromo X. The result is a sound that mixes reggaeton, dancehall and Caribbean rhythms with a contemporary aesthetic.
We are sure it will be a show designed for live performance, club energy, a lot of perreo and a very strong connection with the audience.
Like it or not, you have to see it! Even if it's just to sweat a bit and talk bad afterwards 🙂
Koljós - Emmanuel Carrère (2026)
Emmanuel Carrère converts Koljós in an ambitious exploration of his own Russian genealogy, interweaving family memory and the great upheavals of European history.
Starting with the figure and death of his mother, Carrère reprises one of his great obsessions that was left half-finished in 2007“s A Russian Novel. This time Carrère adopts a more serene and pedagogical tone than in his other works, less focused on the confessional self-fiction that made him famous. Here he seems to be seeking a form of reconciliation with his family past, illuminating its contradictions without turning them into personal drama.
The result is a wide-ranging, intimate chronicle that connects biography, Russian history and European memory through the incombustible pen of a man who finally seems, at the age of 70, to be at ease with life. Not to be missed!
Resurrection - Bi Gan (2025)
Bi Gan's new film, Resurrection, confirms the Chinese director as one of the most unique filmmakers in contemporary cinema.
Faithful to his hypnotic style, Bi Gan constructs a story where time, memory and dream merge in images of an almost liquid beauty. More than a classical narrative, the film proposes a sensorial experience, full of long shots and enigmatic atmospheres that invite you to let yourself be carried away.
It may be elusive for those looking for a clear story, but its visual ambition and strange poetry make it a fascinating work, halfway between cinema and reverie. Premiered at Cannes 2025, it will finally arrive in Spain on 1 April.
Watch and rewatch in loop!
The Boy Who Played the Harp - Dave (2026)
Yes Psychodrama was the irruption and We're All Alone in This Together consolidation, The Boy Who Played the Harp sounds like something else: the moment when Dave begins to emerge, without too much effort, as the great generational chronicler of British rap.
The featurings are chosen with surgical precision: the melancholy of James Blake, the generational counterpoint of Kano or the brilliance of Tems expand the emotional universe of the album without stealing its focus.
Musically it may be more restrained than his previous works, but that austerity works as a backdrop for what really matters: the stories. Dave writes as if he were taking notes for the autobiography of a whole cohort of thirtysomethings in South London, caught between the memory of the neighbourhood and the vertigo of success. Addictive from the first listen!
